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New album. New sound. On Acrobats London's Peggy Sue has put down the acoustic guitars, this time opting instead for buzzing guitars and crackling amps. Recorded with producer of the moment John Parish --known for his extensive work with PJ Harvey, Sparklehorse and EELS -- Acrobats keeps the propulsive energy of their former work, but this time the sonics back up the mood. Songwriters Rosa and Katy, and drummer Olly called upon early influences like Sonic Youth and The Breeders when conceiving Acrobats which, coupled with recently acquired electric guitars and a new practice space, released the ferocity that had always been swimming just beneath the surface of the band's music. Parish successfully harnesses this newly minted electricity, resulting in the fulfillment of several albums and EP's worth of musical innuendo. Acrobats is certainly still Peggy Sue, but this time we see that behind the wry smile lies a mouthful of sharp, dirty teeth.
